The AK-UC4000 studio camera is yet another Panasonic innovation in broadcast technology. Users can operate the camera in both 4K and HD modes. In HD mode the AK-UC4000 produces HD images with high sensitivity and low noise. In addition to the functions appreciated in previous studio camera series such as DRS and CineGamma, the AK-UC4000 adds new features such as focus assist, flash band compensation, and skew reduction, which is realized through high-speed scan from the MOS sensor. There are additional functions to improve shooting experience including enhanced shock less gain (-6 dB to 36 dB), a user gamma function, black gamma correction according to the pedestal setting, multi-step DNR and easy matrix adjustment. AK-UC4000 Series achieves excellent image quality and operability.

The AK-UC3000 studio camera is yet another Panasonic innovation in broadcast technology. Users can operate the camera in both 4K and HD modes. In HD mode the AK-UC3000 produces HD images with high sensitivity and low noise. While including functions appreciated in the conventional model such as DRS and CineGamma, the AK-UC3000 series adds new features such as focus assist, flash band compensation, and skew reduction, which is realized through high-speed scan from the MOS sensor. There are additional functions to improve shooting experience including enhanced shock less gain (-6 dB to 36 dB), a user gamma function, black gamma correction according to the pedestal setting, multi-step DNR and easy matrix adjustment. AK-UC3000 series achieves excellent image quality and operability.

The AW-UE160 4K PTZ camera features a newly developed 4K 1” MOS sensor that offers the highest sensitivity of Panasonic’s entire PTZ lineup. Production teams shooting in a concert venue or a church can easily capture clear images even in the most challenging lighting conditions. Meanwhile, the UE160’s new optical low pass filter reduces the effect of moiré for clearer picture quality when shooting against an LED wall, which is especially important for rental and staging or worship environments. Its high-speed frame rate will help sports broadcasters capture slow motion shots in HD for replays, while seamless integration with the robotic camera system brings live broadcast-style movements to the PTZ, resulting in a dynamic and highly engaging video production.

The AW-RP150 is the newest remote camera controller to compliment Panasonic's comprehensive professional PTZ camera lineup. It has the same great functionality of the AW-RP120 and AW-RP50, and joins the lineup with significant improvements over those models, including a new one-hand operation joystick (controlling PTZ or Focus) and a large touch-panel LCD screen for monitoring and menu setting.

A seesaw lever mounted on the joystick manages pan and tilt operations for zoom and focus control and intuitive single-handed operation. The built-in touch display allows for easy and quick operation of all essential camera functions.

The AG-CX350 is the industry's lightest 4K 10-bit fixed-lens camcorder. The CX350 also brings impressive new features, including V-LOG video support, 4K 10-bit 60p capture, HDR recording, and is equipped with the SRT / RTMPS / RTMP / RTSP/ RTP protocol for livestreaming, along with an NDI ready IP connection.

The DC-BGH1 is the ultimate jack-of-all-trades for production video professionals. Its 10.2MP sensor with Dual Native ISO delivers C4K/4K 60p/50p 10-bit video and 13-stops of dynamic range with built-in V-Log L.

Weighing just 545g, the DC-BGH1 offers a compact and lightweight body design with industry standard mounts and connectivity.

All-Weather Micro Camera (3GSDI).

The CV504-WP delivers exceptional 10 bit 4:2:2 video performance from a durable aluminum alloy body through weatherproof breakout cable and flexible interchangeable lenses. The new Sony sensors offer rich color accurate video with improved low light sensitivity and refined remote adjust and match capability.

All-Weather HD Lipstick Camera.

The Marshall CV228 weatherproof Lipstick Camera captures crisp, color accurate HD video from a next generation Sony sensor, wide 4.0mm (85°) lens and efficient precision processors. The feature rich CV228 is built into a durable all-weather cylinder-shaped body only 19.5mm in diameter and 3-meter breakout cable including 3GSDI, remote RS485 and 12V power. CV228 is built for rugged outdoor or dirty environments where dust, dirt, water, mud, and snow become a factor.

Micro Pan/Tilt Head

Marshall CV-PT-HEAD features smooth synchronous pan and tilt operation when used with Marshall miniature and compact cameras. CV-PT-HEAD also passes power and commands to the camera when used with CV-MICRO-J2, CV-QUAD-JS or other BR Remote controllers via patch-cable (included). CV-PT-HEAD is compatible with all CV500-series camera models, CV344~CV374 models as well as CV355-10X zoom camera making it a full PTZ solution.

The FUJINON UA107x8.4 covers the wide focal length from 8.4mm, to 900mm in super telephoto, and meets the needs for 4K HDR shooting in all scenes, such as relay broadcasting of sports and live broadcasting of concerts. The UA107x8.4, which is equipped with the floating focus system that controls a plurality of lens groups in accordance with the shooting distance, enables shooting of high-resolution images across the entire zoom range. It also supports the production of videos with high image quality and highly realistic impression. Furthermore, as it is equipped with the company’s proprietary optical image stabilizer, the broadcast zoom lens corrects vibrations of images in the screen that result from unstable platforms.

The FUJINON UA46x13.5 offers the world's highest 46x zoom among portable 4K broadcast lenses, covering the focal lengths from 13.5mm on the wide-angle end to 621mm in telephoto, the world's longest focal length. Take advantage of the impressive focal length range available on the telephoto end to produce powerful video, capturing even the facial expression of a distant athlete in high definition in live sports broadcast.

FUJINON UA22x8 is a portable broadcast zoom lens with optical performance compatible with 2/3″ format 4K cameras. Covering the focal length from 8mm in wide angle to 176mm in telephoto, the lightweight and compact lens excels in handling versatile situations including live sport coverage, indoor / outdoor program production and news reporting. The “floating focus system”, which controls multiple lens groups according to the shooting distance, delivers high resolution and high contrast images from close-up to infinity, enabling 4K video production with a high realistic sensation and premium picture quality.

FUJINON UA13x4.5 wide zoom lens has achieved resolution surpassing 4K, high contrast, and HDR. It is also capable of shooting ultra-wide angle images at a focal length of 4.5mm. Incorporating the floating focus system, that controls a plurality of lens group in accordance with the shooting distance, the UA13x4.5 enables shooting of high-resolution images across the entire zoom range. In addition, it has suppressed the distortion of images that tends to occur at ultra-wide angle focal lengths and the reduction of resolution in the periphery.

The CJ25eX7.6B is the first UHD 4K broadcast lens in its class with a 25x optical zoom (190mm) on the telephoto end (380mm with the built-in 2x extender). Combined with a 7.6mm wide setting, the CJ25ex7.6B is ideal for a wide range of UHD 4K outside broadcast television productions, including live sports, nature, concerts, and other live events.